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A blistering debut that does for the Iraqi perspective on the wars in Iraq and Afghanistan what Phil Klay’s Redeployment does for the American perspective

The first major literary work about the Iraq War from an Iraqi perspective—by an explosive new voice hailed as “perhaps the best writer of Arabic fiction alive” (The Guardian)—The Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits.

Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

• Sales Rank: #502030 in eBooks
• Published on: 2014-02-04
• Released on: 2014-02-04
• Format: Kindle eBook

From Booklist
These 14 surrealistic stories are all about Iraq’s endless wars. Americans are mostly off-stage, but “The Madman of Freedom Square” is a sly, dark allegory of their arrival and sometimes miraculous effect. Many characters are terrorists, as in “The Killers and the Compass,” in which a veteran terrorist explains the divinity one acquires in the disposition of extreme violence—not a Muslim divinity but a personal one rising from inspiring terror and killing. The title story is all about the fine art of displaying corpses in public places. The matter-of-fact tone of its first-person narrator, a sort of instructor, suggests Kafka’s “A Report to an Academy.” But one thinks of Borges in perhaps the best entry, “The Nightmares of Carlos Fuentes,” about an Iraqi immigrant to Holland who’s determined to put his country’s evils behind him, even to the point that he pretends to be Mexican. An interesting choice for larger fiction collections and perhaps base libraries. --John Mort

Review
Winner of the Independent Foreign Fiction Prize
One of Publishers Weekly’s 10 Best Books of the Year

“Surreal and mind-blowing and completely necessary.” —Jayne Anne Phillips, The Wall Street Journal, “Favorite Books of the Year”

“Arresting, auspicious . . . Well-plotted, blackly comic . . . Sharp, tragicomic moments . . . persist in memory. . . . Its opening story [features] a terrorist middle manager who wouldn’t be out of place in one of George Saunders’s workplace nightmares. . . . ‘The Song of the Goats’ [is] a cunning gem. . . . If a short story could break the heart of a rock, this might just be the one. . . . The collection’s last story is so complicatedly good [with] an ending worthy of Rod Serling. Mr. Blasim’s stories owe more than a little of their dream logic to [Carlos] Fuentes and Serling, with maybe some Julio Cortázar thrown in. . . . Their sequence imparts a mounting novelistic power.” —The New York Times

“Brilliant and disturbing . . . Bitter, furious and unforgettable, the stories seem to have been carved out of the country’s suppurating history like pieces of ragged flesh.” —The Wall Street Journal
 
“Superb . . . The existence of this book is reason for hope, proof of the power of storytelling.” —The Boston Globe

“Subtly and powerfully evocative . . . Superbly translated.” —The New York Review of Books

“Visceral, full of horror and absurdity . . . Blasim is an Iraqi Kafka with a touch of Edgar Allan Poe thrown in, and his pen spares no one who commits atrocities, Americans and Iraqis alike.” —Brian Castner, “This Week’s Must Read” on NPR’s Weekend All Things Considered

“Perhaps the greatest writer of Arabic fiction alive . . . [His stories are] crisp and shocking . . . cruel, funny and unsettling [with] hooks and twists that will lodge in any mind.” —The Guardian

“A modern classic of post-war witness, elegy and revolt . . . Think Irvine Welsh in post-war and post-Saddam Baghdad, with the shades of Kafka and Burroughs also stalking these sad streets. . . . [Blasim] depict[s] a pitiless era with searing compassion, pitch-black humour and a sort of visionary yearning for a more fully human life. . . . Amid all the scars of combat, these stories seek and find comedy, magic, affection and even an urge towards transcendence.” —The Independent

“Line for line and paragraph for paragraph, Blasim writes more interestingly than [Phil] Klay. . . . His content is more strange and striking. . . . Blasim is an artist of the horrendously extraordinary. . . . [His] stories are almost Hemingwayesque in their stripped-down style and content. . . . Blasim has a sense of humor. He must have learned his jokes from the Grim Reaper.” —William T. Vollmann, Bookforum

“Brilliant . . . [A] much-needed perspective on a war-ravaged country . . . It is a slim but potent collection and will go a long way to making Blasim’s name in American literary circles. . . . Blasim plants his flag squarely in the tradition of Kafka, Borges, and other writers of surreal and otherwise metaphysical fiction. . . . He has a vital subject and takes it seriously: Iraq and its people. . . . He has written a fresh and disturbing book, full of sadness and humor, alive with intelligent contradiction.” —The Daily Beast

“A bravura collection . . . Mind-bendingly bizarre . . . Blasim . . . lights his charnel house with guttering flares of wit. . . . [Be] ready to be shocked and awed by these pitch-black fairytales.” —The National

“Unforgettable . . . Very important . . . [Blasim’s stories] could only come out of firsthand experience of the war.” —Flavorwire, 10 Must-Read Books for February

“A vivid, sometimes lurid picture of wartime Iraq [by] one of the most important Arabic-language storytellers . . . Violent, bleak and occasionally beautiful . . . Dark and sometimes bitterly funny . . . Most of these stories feel ready to collapse or explode at any moment. . . . The reader walks on solid ground one moment, and the next the ground gives way—sending him tumbling into deep, otherworldly holes.” —Chicago Tribune

“A blunt and gruesome look at the Iraq War from the perspective of Iraqi citizens . . . Blasim’s stories give shape to an absurdist world in which brutal violence is commonplace. . . . [For] fans of Roberto Bolaño, Junot Díaz, and other writers who employ magical realism when describing grim realities.” —The Huffington Post

“Shocking, urgent, vital literature. I will be surprised if another work of fiction this Important, with a capital I, gets published all year. If you’re human, and you are even remotely aware that a war was recently fought in Iraq, you ought to read The Corpse Exhibition.” —Brian Hurley, Fiction Advocate

“Startling and brutal.” —Guernica

“Corruscating, lapidary, deeply unsettling, Hassan Blasim’s stories are not only without equal, they are a necessary reminder that there is an other side waiting to give voice to the tragic costs of these unnecessary, imposed wars.” —Joydeep Roy-Bhattacharya, author of The Watch and The Storyteller of Marrakesh

“Blasim pitches everyday horror into something almost gothic. . . . [His] taste for the surreal can be Gogol-like.” —The Independent

“Stunningly powerful . . . Brutal, vulgar, imaginative, and unerringly captivating . . . Every story ends with a shock, and none of them falter. A searing, original portrait of Iraq and the universal fallout of war.” —Publishers Weekly, starred review

“The first story alone blew me away. Don’t miss.” —Barbara Hoffert, Library Journal

“Powerful, moving and deeply descriptive . . . All the stories share a complexity and depth that will appeal to readers of literary fiction [and] fans of Günter Grass, Gabriel García Márquez or Jorge Luis Borges.” —Kirkus Reviews

“Excellent . . . Like hollow shards of laughter echoing in the dark . . . Blasim moves adeptly between surreal, internalised states of mind and ironic commentary on Islamic extremism and the American invasion. . . . Extraordinary.” —Metro
 
“Iraq’s story must still be told, and we need Iraqi voices like Blasim’s to tell it.” —More Intelligent Life
                                                                                                                     
“Clever and memorable . . . Agreeably creepy . . . Move[s] effectively between surreal and magical. . . . Blasim’s use of the real-life horrors of Iraq [and] the fanciful spins he puts on events make the horrors bearable—even as these also often become more chilling.” —The Complete Review
 
“The first major literary work about the Iraq War as told from an Iraqi perspective . . . Starkly visual . . . Luridly macabre . . . Eloquent, moving . . . Effortlessly powerful and affecting . . . More surreally gruesome than the goriest of horror stories . . . Hassan Blasim is very much a writer in [the] Dickensian mould. . . . These are tales that demand to be told.” —CityLife.co.uk
 
“Savagely comic . . . A corrosive mixture of broken lyricism, bitter irony and hyper-realism . . . I can’t recommend highly enough ‘The Corpse Exhibition,’ ‘The Market of Stories’ or ‘The Nightmares of Carlos Fuentes.’ ” —The M John Harrison blog

“[Blasim is] a master of metaphor who is now developing his own dark philosophy [in] stories of profane lyricism, skewed symbolism and macabre romanticism. . . . [His work is] Bolaño-esque in its visceral exuberance, and also Borgesian in its gnomic complexity.” —The Guardian

About the Author
Hassan Blasim was born in Baghdad in 1973 and studied at the Baghdad Academy of Cinematic Arts. A critic of Saddam Hussein's regime, he was persecuted and in 1998 fled Baghdad to Iraqi Kurdistan, where he made films and taught filmmaking under the pseudonym Ouazad Osman. In 2004, a year into the war, he fled to Finland, where he now lives. A filmmaker, poet, and fiction writer, he has published in various magazines and anthologies and is a coeditor of the Arabic literary website www.iraqstory.com. His fiction has twice won the English PEN Writers in Tranlsation award and has been translated into Finnish, Polish, Spanish, and Italian. In 2012 a heavily edited version of his stories was finally published in Arabic and was immediately banned in Jordan.
 

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15 of 17 people found the following review helpful.
An Iraqi perspective of country lost.
By SInohey
A new crop of Iraqi authors was recently discovered by the West. Inaam Kachachi (Tashari), Ahmed Saadawi (Frankenstein in Baghdad) and Hassan Blasim are shaking up the literary world of the Middle East. They all write in Arabic and rely on translated versions to expose their work to the West.

“The Corpse Exhibition” by Hassan Blasim is a composite of his two previous publications (Al Maseeh Al Iraqi) The Iraqi Christ (2009) and (Mag noon Sahat al Horreya) The Madman of Freedom Square (2012), which I read a few months ago in the original Arabic. Both works have been translated by Jonathan Wright and were awarded literary prizes in the UK. The translation is spot on; Wright captures the ethos of the stories without losing nuance or subtlety of the original meaning.
The book is a compilation of 14 grim, brutal and often lurid, occasionally funny, stories of wartime Iraq, recounted in the first person from the Iraqi perspective. The story-tellers slip between reality and a phantasmagoric existence in a Kafkaesque world of Borgesian tales, where reason becomes madness and insane behavior is commonplace. The horror is wrapped in magical realism akin to the neo-gothic writings of the late Roberto Bolano (1953-2003) or Julio Cortazar(1914-84).

Blasim born in Baghdad in 1973, is a filmmaker, writer and poet who ran afoul of Saddam Hussein because of a controversial documentary “The Wounded Camera” and had to flee his homeland in 2000. After his peregrinations through several countries he is ultimately settled in Finland since 2004. He has a unique perspective of his people’s experience surviving the horrors of commonplace daily brutal violence by adopting a fatalistic outlook and a nihilistic attitude.

The book begins with the title story of a man recruited, by a non-political group, to be an assassin, with the stipulation that he exhibits the victims’ corpses in artistic fashion. The collection ends with “The Nightmares of Carlos Fuentes”, the doomed garbageman, Salim, who escapes to the Netherlands, changes his name to Carlos Fuentes and assimilates into the society, but is ultimately done in by his nightmares.

All the stories are fictitious; they are replete with assassinations, kidnappings, car explosions, beatings, mutilations and rapes of women and boys - yet the savagery is mitigated by mystical subversive occurrences or a supernatural phenomenon of a dark fairy tale. There are no happy endings.

"We have a saying that every Iraqi has five good scary stories," Mr. Blasim says. "So we have a lot of scary stories" and adds,”after several decades of dictatorship, economic sanctions and war, Iraqis have around 150 million horror stories to tell.”
Blasim borrows from these stories to fill the rest of the collection. “The Killers and the Compass” describes how Abu Hadid and his younger brother terrorize their neighborhood. The story of the “Hole” is about a man who falls into a dark hole, where he meets an ancient jinni (or spirit). A dead journalist narrates how he appropriated a dead soldier’s work in “An Army Newspaper”. Daniel, is “The Iraqi Christ” who gets premonitions from the itch in his crotch, and the two “blonds” who mysteriously appeared in the desolate Baghdad neighborhood of Darkness District are the subject of “The Madman of Freedom Square”. In “The Song of the Goats” one of the contestants, on a radio show about horrific stories, says,”If I told my story to a rock, it would break its heart.” The story of the ambulance driver who was kidnapped and serially sold by several rival political groups, as told in “The Reality and the Record” is one of the book’s best.

The narration is descriptive, raw, unnerving and vulgar. The writing is uneven and the stories seem to improve in complexity and sophistication as the collection progresses. The first story is brief and simplistic when compared to the intricate maturity of the last one. An undertone of bitterness permeates the collection, in spite of the surreal absurdist premise.

This book is not for everyone, but may be of interest to sociologists and historians for its perspective of the effect of years of brutal dictatorship, devastating war and its aftermath on civil society. It may also appeal to readers who appreciate the surrealistic magical realism of Jorge Luis Borges, Italo Calvino, Junot Diaz, Günter Grass and Gabriel García Márquez.

6 of 6 people found the following review helpful.
A Harrowing Collection Of Short Stories Arisen From The Darkness Of The Iraq War
By Nassem Al-Mehairi
The Corpse Exhibition by Hassan Blasim is a collection of 14 short stories. Ranging from a man driven mad by being stuck in a deep hole to a man forced to become a suicide-bomber to save his mother, these stories are thought-provoking and haunting.

The first major literary piece from an Iraqi point-of-view on the War shows it to us like none other. In the style of cadence writing well-known to have been used by Omar Khayyam and others, we see the War that defines modern conflict- soldiers, suicide-bombers, terrorists, and refugees. The Corpse Exhibition also includes the fantasy that is real for some: angels, sorcerers, jinni, and prophets.

The Corpse Exhibition is emotionally difficult to read, but is extremely well-written. Horrific yet humorous, awful reality-filled yet fantasy, the stories followed me even after reading them. It is a very dark book, almost gallows humor, that portray the Iraq War as it was (and still is): confusing, haunting, and filled with madmen. It is not biased, and does not condemn the war, but simply presents the new reality in the region. I believe that this book is important, and written bravely, evidenced by it being immediately banned in Jordan upon release. These stories must be heard to be understood, and will have you thinking well after putting the book down.

4 of 4 people found the following review helpful.
Compelling and yet, sometimes repulsive
By Cheryl M. Avery
Based on another source that I read, I thought these were going to be short stories based on actual events in Iraq during the U.S. intervention. And, some of them were. But the stories could be more accurately described as a peek inside of Hassan Blasim's crazy and sometimes morbid imagination. And yet, none of them went so far as to be considered unrealistic. The truth is people sometimes do horrific things to other people. I was constantly drawn to this book, to read the next chapter, and yet repelled at the same time. Blasim is a talented writer with some difficult stories to share.

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[Q356.Ebook] PDF Download The Mystic Key or Bible Astrology: Being a Scientific and Philosophic Explanation of Bible Characters 1927, by John H. Annis

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

• Sales Rank: #3643600 in Books
• Published on: 2010-09-10
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .40" w x 5.98" l, .56 pounds
• Binding: Paperback
• 186 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Great Info for the weary at heart
By Crum
The author surely knows what he is talking about. A times, the author goes off in tangent to another reference to a word that was used to identify a subject. But then he soon returns. For instance , the spanish signature title as well as label" Don" is a short hand abbreviation for the Hebrew and Judasim term Adonai(A.......DON.....AI), which has been used as a title for Lord and/or Master; "Don Quixote." The Hebrews and Greek scriptures uses this term. I never knew this

Funny how this was written almost 100 years ago and no one knew about it. Such lost arcane knowledge is another testament to the tragedy of the human species as a whole. This is just a fraction of what we know compare to the universe of information that we don't know. Pioneers like Annis gave their lives to preserve this knowledge, We should at least pay it forward.

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The co-evolution of a strong theoretical framework alongside application of a range of sophisticated experimental tools engendered rapid advancement in the study of “giant micelles.” Beginning with Anacker and Debye’s 1951 experimental study of elongated micelles by light scattering  and their subsequent theoretical inference that the thermodynamics of these structures would have to reflect an opposing force model, theory and experiment have progressed hand in hand. This progress, along with growing interest in the practical and industrial applications of these structures in cleansers, cosmetics, pharmaceuticals, and energy production, demands a comprehensive, single-source reference to the current state-of-the-science.
Drawing on the expertise of internationally known scientists, Giant Micelles: Properties and Applications summarizes the range of behaviors encountered in solutions of micelles and their applications in industrial processes. The book introduces theoretical aspects of the rheological behavior and formation of giant micelles from different viewpoints including molecular-level thermodynamic theory and computer simulations. It continues by focusing on the results of a variety of experimental studies using methods such as cryo-transmission electron microscopy, scattering techniques, phase diagrams, linear and non-linear rheology, and chemical relaxation.  Illustrating the properties of giant micelles on solid surfaces, the book also considers systems of smart micelles that respond to external stimuli by a change of shape. The authors describe giant micelles formed from amphiphilic block copolymers as well as non-covalent polymers that exhibit similar rheological behavior to giant micelles. Finally, the chapters address current and emerging applications of giant micelles in oil and gas production, drag reduction, drug-delivery formulations, and personal care products such as shampoo.
By gathering a range of information into one volume, Giant Micelles: Properties and Applications provides scientists with an essential reference on these fascinating materials and their emerging role in industrial application.

• Sales Rank: #5020284 in Books
• Published on: 2007-05-30
• Original language: English
• Number of items: 1
• Dimensions: 8.35" h x 1.39" w x 6.14" l, 1.97 pounds
• Binding: Hardcover
• 576 pages

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[Z331.Ebook] Free PDF Troubadour: Song of the Lark, by Clara Pierre

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Twelfth century France is on the verge of war, a high stakes battle for the minds and souls of its people. Territorial disputes with Spain threaten the southern provinces. The excesses of the Catholic hierarchy are giving rise to a growing Cathar religious movement. Into this mounting conflict rides a romantic young rogue whose biggest wish is to write poems and set them to music. Gaucelm finds his way into the powerful courts of Toulouse, Ventadour, and Courthézon, and the tender arms of a prostitute who will follow him wherever he goes. Based on historic events and a real troubadour who chronicled them, Troubadour is a powerfully told story of conflicted loyalties and the ruthless leaders who will do anything to control their subjects.

• Sales Rank: #2924398 in Books
• Published on: 2015-02-16
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .63" w x 5.98" l, .91 pounds
• Binding: Paperback
• 278 pages

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2 of 2 people found the following review helpful.
Fascinating reading!
By Susan Keefe
When Gaucelm left the village of Uzerche in the Limousin for Toulouse in 1195, it was the start of the great adventure which was to be his life.

Less than a week’s ride away, the land was very different, and so it was an excited young man who rode under Toulouse’s portcullis and entered the lively city. A city which was at that time said to outshine even Paris! A chance meeting with Count Raymond, led to an invitation to entertain the court that evening. Success followed, and he became as popular, as he was round. As the court’s troubadour he became a celebrity with his poetry and storytelling spreading the news about life and events, at a time when many people could not read or write.

Here, I have to say that if you close your eyes throughout this book, you can almost feel as if you have been transported back in time, so vividly does the author set the scenes, laying before us detailed descriptions of the buildings, people, places and life at court.

Fortunes change however, and his bold storytelling is seen as too radical. Count Raymond releases him from court, and so travels to Ventadour with Guilhelma, a prostitute, who is to become his lifelong companion.

Once settled at the court of Countess Marie, wife of Ebles de Ventadour, Gaucelm suddenly finds himself loaned to the court of Madame Audiarde de Malemort, Marie’s friend, who has very firm idea’s as to what she wants from a man, and this, and other parts of the book are quite raunchy. The strength of women in these times is an eye opener, when usually you are lead to believe they are very submissive. These royal women are very powerful, and often many years younger than their husbands. Whilst he is away, back at Ventadour, Guilhelma becomes friends with Douce, Marie’s strong minded daughter.

Thus follows a story of knights in shining armour, love, betrayal, fierce battles, honour, and the continual struggle between the Catholic Pope and the Cathars.

When Douce disappears from Ventadour, Gaucelm and Guihelma’s search for her, however the young woman they find at Montdragon is a very different from the love struck girl of the past. Life, people and events have changed her, and this change is about to affect them all.

With the Catholic crusaders becoming more and more zealous against the Cathars, all three decide to travel to the court of Count Raimbaut at Courthezon. Here they are warmly welcomed and Guilhema has their son Ayen. However, the northerners invade Courthezon and Gaucelm finds himself taking sad news back to the Countess Marie at Ventadour and asking a favour…

As he rides back to Guilhema and Ayen at Courthezon, the triumphant, but weary troubadour realises that he has indeed taken on the mantle of the famous Bernard de Ventadour who he met all those years ago at the court of Count Raymond. His storytelling must go on and he must spread the word, and the truth through his poetry and verse.

This book is beautifully written and a wonderful insight into life in the Middle Ages. The main characters are real although some things have been changed. I really loved the detail in it and it makes me want to visit everywhere mentioned, which I am sure one day I will.

I am so glad it was translated into English, and am looking forward to reading its sequel, when it is released.

1 of 1 people found the following review helpful.
but she was confident I would be as delighted with the setting and the characters as I was ...
By G. George
Troubadour came to me as a mysterious Amazon gift from an editor/friend who said it was quite beyond something she imagined me reading, but she was confident I would be as delighted with the setting and the characters as I was diverted from my usual faire. Troubadour:Song of the Lark will leave you wondering how far we've come. Gauchelm Faidit, an unlikely protagonist, part wide-eyed, part world-wise, rotund apprentice minstrel entices us through a 12th Century French court as it indulgently wallows in viscious and violent intrigue between Pope Innocent III and a growing heretic movement by predacessors of today's Quakers. Count Rymond of Toulouse takes in Gaucelm as he offers succor to the heretics to tug at the Pope's beard and his courtiers plot. Great fodder for troubadour tunes. David Crosby of Crosby/Stills/Nash and Young recently proclaimed himself a "Troubadour." This tale is a great view of the tradition from which his proclamation springs. Troubadour has been delighting European readers for fifteen years. This is its first view on this side of the puddle.

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Life is what happens when you make other plans, and Nic and Claire have just found out that life and the Marine Corps have other plans for their lives. Nic Caldwell has served her country, met the woman of her dreams, and has reached the rank of Lieutenant Colonel. She's studying at one of the nation's most prestigious military universities, setting her sights on a research position after graduation. Things couldn't be better and then it happens; a sudden assignment to Afghanistan derails any thoughts of marriage and wedded bliss. Another combat zone, another tragedy, and Nic suddenly finds herself fighting for her life. Claire Monroe loves her new life in Monterey. She's finally where she wants to be, getting ready to start her master's program at the local university, watching her daughter, Grace, growing up, and getting ready to marry the love of her life. What could possibly derail a perfect life? The Marine Corps. Will Nic survive Afghanistan? Can Claire step up and be the strength in their relationship? Or will this overseas assignment and a catastrophic accident divide their once happy home?

• Sales Rank: #2008176 in Books
• Published on: 2015-02-07
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .60" w x 5.51" l, .75 pounds
• Binding: Paperback
• 266 pages

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9 of 9 people found the following review helpful.
Always and Forever.
By B's Reads
This was an outstanding story. Nic, a Marine colonel, is deployed to Afghanistan for a special assignment. When she is gravely injured by an explosion, her wife Claire comes to be with her. Can their marriage survive this when Nic pushes her away? This was a great story. The author obviously did a great deal of research for this one. Could feel the grit and heat of the desert as well as the warmth of the love the two main characters shared. Another winner from Isabella! I haven't read Always Faithful yet, so I can attest that this one stands on its own.

9 of 9 people found the following review helpful.
Great Read!
By Photoswazi
I loved Always Faithful and could wait to read the next instalment in the lives of Nic and Claire. Isabella didn't disappoint! Forever Faithful is s great read from start to finish and kept me hanging on in the middle!

8 of 8 people found the following review helpful.
A real page turner
By jeepsteeler
A great follow up from Always Faithful. The story continues with Nic and Claire. In beautiful Monterey just 3 years later. Everything seems to be going just fine. Until Nic is given orders to go to Afghanistan.
There is also humor since Jordan makes a return appearance. If you loved Always Faithful than you will love Forever Faithful.

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• Published on: 2002-03-06
• Binding: Unknown Binding

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This book fills the gap in the understanding of approaches to constitutional law in the Mainland, and to allow comparison with the practices in Hong Kong and internationally.

• Sales Rank: #6189427 in Books
• Published on: 2007-12-15
• Released on: 2007-12-26
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .75" w x 5.50" l, 1.10 pounds
• Binding: Hardcover
• 265 pages

About the Author
HUALING FU is Associate Professor of Law, University of Hong Kong.
LISON HARRIS is Assistant Research Officer at the Centre for Comparative& Public Law, University of Hong Kong.
SIMON YOUNG is Associate Professor; Deputy Director, Centre for Comparative and Public Law; and Co-Director, Asia-America Institute in Transnational Law at the University of Hong Kong.

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